Eurovision final: Sex, violins and seven other things to look out for

Eurovision final – The Eurovision Song Contest reaches its grand final on Saturday night, with Finland, Greece, and Australia among the top contenders for the coveted title. This year’s event in Vienna has sparked a unique trend among performers, as several artists have incorporated operatic elements into their songs, regardless of whether they seem necessary. From dramatic arias to soaring harmonies, the stage is set for a mix of musical styles that defy traditional expectations. Beyond the theatrics, fans can anticipate a range of surprises, from electrifying dance routines to emotionally charged narratives that capture the spirit of the competition.

A Story of Resilience

Akylas, the Greek artist, offers a compelling tale of perseverance. Eight months ago, he found himself in a precarious situation, working as a waiter in Athens while dreaming of a different path. “I was in Athens, I was working as a waiter, and I quit my job to start singing in the streets,” he recounts to the BBC. “People would bully me in the street while I was busking, trying to pay my rent and my bills. I was struggling—so it’s crazy that now I’m representing my country at Eurovision.” At just 27 years old, Akylas is poised to make a significant impact with his track “Ferto,” a vibrant dance anthem that blends rave synths, video game sound effects, and traditional Greek instruments like the lyra. The song’s lyrics reflect on the challenges of growing up during the country’s financial crisis, a theme that resonates deeply with the artist’s personal experiences.

“It’s about all the parents, who are trying to provide the best for their children, and all the sacrifices that they make, like my parents did,” he explains. “I wanted to highlight the resilience of families during tough times, even if it means putting your dreams on hold.”

Australia’s Eurovision Comeback

Australia has a long-standing affection for Eurovision, dating back to the 1974 victory of Abba. This passion led to a special invitation in 2015 for the contest’s 60th anniversary, allowing the nation to participate as a wildcard entry. The country embraced the opportunity with such enthusiasm that it has since returned every year, showcasing its commitment to the event. However, after a semi-final exit last year, Australia is determined to secure a win in 2026. This time, they’ve opted for a high-profile entry, entrusting platinum-selling pop star Delta Goodrem with the task. Her power ballad “Eclipse” is a masterclass in production, featuring a chorus that would rival Celine Dion’s iconic performances and a baroque piano breakdown preceding a dramatic key change.

“I’ve been doing it so much that one of the guys who hands us our microphones bought a rope and gave it to me,” says Satoshi, the 27-year-old performer behind Finland’s entry, “Viva, Moldova!”

Australia’s “Eclipse” has already caught the attention of bookmakers, who have significantly lowered its odds, positioning it as a serious contender for the trophy. The success of the song has raised questions about the potential consequences of a win. Graham Norton, the BBC’s Eurovision host, hinted at a behind-the-scenes deal on the Wanging On podcast. “He was saying that every year Australia make a deal with someone, in case they win, so that someone will host [the contest] for them,” Norton revealed. The Eurovision Organising Committee, known as the EBU, remains cautious. “We’re currently focussed on the Grand Final of the 70th Eurovision Song Contest in Vienna, with 25 incredible songs and artists from across Europe and Australia competing,” they stated. “Discussions on the hosting of next year’s event will take place, as always, after we have our winner on 16 May.”

Finland’s Grand Final Ambitions

Finland, currently favored to clinch the title, has a standout act in the form of “Liekinheitin,” a passionate love song performed by pop star Pete Parkkonen and classical violinist Linda Lampenius. Their collaboration is often compared to a high-profile pairing like Harry Styles with Nicola Benedetti, capturing the essence of Finnish musical synergy. “Pete’s, like, the sexiest man in Finland or something,” Linda jokes, adding that her partner has “all those labels.” But the real spectacle lies in Linda’s performance, where she must sprint across the catwalk in high heels while holding her prized 1781 Gagliano violin—a priceless instrument valued at an estimated £500,000. “I run and jump up and down on a chair, and I’m standing next to a fire. So I’m quite nervous during those three minutes,” she admits. “I’m thinking about the violin all the time.”

“I run and jump up and down on a chair, and I’m standing next to a fire. So I’m quite nervous during those three minutes,” Linda explains. “I’m thinking about the violin all the time.”

The Finnish act’s energy is matched by the emotional weight of its message. The song is a celebration of love and unity, a theme that aligns with the broader narrative of the contest. Meanwhile, the entry from Moldova, “Viva, Moldova!” is a testament to national pride, written to commemorate the country’s 35th anniversary of independence. The track pays tribute to Moldova’s cultural icons, including musician Eugene Doga, author Maria Mirabela, and poet Grigore Vieru, who holds a special place in Satoshi’s heart. “Grigore wrote a poetry book which is, to this day, one of the most influential in our history,” Satoshi shares. “His words inspired me to create something that reflects our heritage and our hopes for the future.”

Australia’s Strategic Approach

Australia’s decision to invite Delta Goodrem back for the final is a calculated move, given her status as a household name and her ability to deliver a performance that combines emotional depth with technical brilliance. “Eclipse” is not just a song—it’s a statement. The track’s powerful vocals and intricate arrangement have been designed to leave a lasting impression, with its chorus and key change serving as the ultimate climax. The inclusion of video game sound effects and rave synths adds a modern twist, ensuring the act appeals to both traditional and contemporary audiences. While the competition is fierce, Delta’s performance has already sparked excitement, with bookmakers considering her a frontrunner for the trophy.

As the final approaches, the contest continues to draw attention for its diverse range of acts and innovative performances. From the operatic flourishes in Vienna to the dramatic stunts and heartfelt storytelling, the event promises to deliver a mix of spectacle and substance. Whether it’s a love song with a violinist or a power ballad with a global star, the Eurovision final is a stage where dreams and music collide. The outcome remains uncertain, but the anticipation is palpable as the world watches the competition unfold.